Frage von snakenic:
Hello,
I have the following problem:
I have included a scene in a cafe 2x. The first time I stood next to take away the long shot. The second time was getting close. Unfortunately I need the sound of the two versions. The problem is that the sound of the first version due to the very room reverberation "reverberant" sound. The second is ok. How can I find out with the APP CS4 Hall from the first version. Say, how the heist Effect and I must stop him?
Thank you.
Antwort von Meggs:
There is no effect, in order to get out of room reverberation. You can try with the equalizer to improve the outcome. The improvements will remain in a modest frame.
Antwort von Schleichmichel:
There is an effect to filter out room reverb units. I remember good old Sonic Worx s.das on Mac Os Classic, where there was an offline plug-in. There could be (only decent, without getting artifacts filtered out) Room Shares.
It is synonymous to me once when I still had access to ProTools obtained with a combination of Waves X-Noise Gate and a relatively rewarding outcome. But there was enough reverb to take a fingerprint of the room Hall. So I could reverb sound of two people in a vault in some de-usable.
Unfortunately, the prices of the Waves plug-ins have not been significantly reduced: (
Dubbing? You will anyway reach from different Toncharakteristiken in each shot within a scene, not a homogeneous sound. Just try it once with the people. With a little practice and afterwards Done nipples s.Timing can sowas good save. Better than fiddling around Planetshakers s.beliebigen plugs.
Antwort von frm:
Let stand Dewegen always either a Tonangler, or at least the microphone s.der same place. You will fix the problem only with complete dubbing! And that is rather difficult.
HG
FLorian
Antwort von domain:
I would rather try to integrate with the close-ups afterwards a slight reverb, so again everything sounds more evenly.
For if ever there was one room reverb, then it should be apparent in the less synonymous echoed close-ups.
Antwort von snakenic:
Let stand Dewegen always either a Tonangler, or at least the microphone s.der same place. We have worked with and Tonangel with SQN. The problem has now emerged s.Schnitt. While filming people who had slept, and the connections between the two scenes do not fit exactly. So I now need both parts synonymous because they are not syncron otherwise.
How could I make a sound a bit reverberant. Is that with the reverb effect.
Antwort von domain:
So it is. In addition to some pre-fabricated "spatial characteristics" can be defined for all the parameters usually synonymous itself. Also recommended for the more distant shots, the heights increase with the equalizer until the noise limit, and withdraw while those of some close-ups. For a typical characteristic of the close mics discussed, the pronounced elevation.
