Newsmeldung von slashCAM:Hier geht es zur Newsmeldung: The 50 best Filmvorspänne
Antwort von Gabriel_Natas:
As clearly missing the intro to Zombie Country:
Antwort von Axel:
Mostly, as you write, nogroßen surprises, "GO!" I was as unspectacular, but incredibly exciting thriller discontinuity but overall a real insider tip, and the intro has pace.
Very influential, of course, were
all Fincher intros, not only Se7en.
Underestimate is my opinion the merit of the two classic mega-blockbusters
Jaws and
Star Wars intro. The Depth flying unerringly through the POV of a killing machine, the s.Bernard Hermann memoire, ominous music that forgets one's life not long, and you can feel here is very much promised (which is synonymous then held, and it is
not the Special effects, keep it!). Man has tried the game with the anxiety or the fight reminiscent s.Moby Dick Story (make me the Guttenberg) for the success of blame, but showed the shysters infusions of Parts 2-4, that the story for s.and Not much hergibt. The shark is like all the classic movie monsters in the first place on the unconscious identification with the monster over the fascination of his power and amorality.
The Incredible acoustic bombast (again Williams in 6-channel surround even then) of
Star Wars was of accompanied pictures (to put it to say that rum), the second time in the history of the film not only ausreizten but explode left field to . His contemporaries saw a huge spaceship behind of them slip into an infinite black space in front of them. The effect of today's moviegoers can hardly even understand: It took off one's socks! The fairy-tale plot is ultimately naive absolute brain ship, but here it is said: There once was .... a movie, with the cute remarks and picturesque bad tricks resorted to, but
of that moment on, dear viewer, are you among them!
I think these movies without these first few seconds may have never had the success they had actually.
Antwort von Anne Nerven:
... I think these movies without these first few seconds may have never had the success they had actually. I do not think that a normal viewer (not a movie fan, or after-FX & Co-User) a leader in his film-judgment can be incorporated with. Both films have had (in my opinion) synonymous with white Arial-biasing the same success. They serve our deepest longings (extraterrestrial life, intergalactic trips) or fears (deep water, invisible danger, shark in principle), embedded in a simple, emotional story. Easy to understand and digest. In addition to marketing.
The bias increases my opinion only the anticipation of the, at any moment taking off, film. As is again checked everything and rightly placed, popcorn, jacket, friend, etc. and if it is then going on: full concentration! What always synonymous .... :-)
Greetings,
Dirk
Antwort von Axel:
Anticipation, compliance, call it as you like. You are right. But with the Arial-track board, I can not imagine.
Antwort von Anne Nerven:
I want to point out the importance of Music: Especially the "Jaws"-Music. If you are a musician, playing for fun times, no matter where and with what, in turn (a baritone) D - D sharp - D - D sharp - D - D sharp - D - Dis - D. No more.
90% of the audience immediately know how the wind is, or where the fish swims. Something to hang. But not opening credits. I think that is something for enthusiasts.
