Frage von Manuell:
Hello,
I could on the subject will find nothing accurate, except the one in the stage light on the white balance to make, which is synonymous clear.
But if the concert as very blue is lit and then a change to green and then red, s.welcher job because I make the white balance, because the lighting conditions are changing constantly, but I have so far always with the artificial setting filmed, would like but wonder if not synonymous is a proper manual Weißabglabgleich works.
mfg
Manuel
Antwort von smooth-appeal:
White balance are you doing just a normal stage lighting and effects and all the colors are simply in the video. That's easy to sound as if you wanted to hide ;-)
Antwort von B.DeKid:
Hi
So at the link
Antwort von robbie:
At concerts, or even in stage lighting, provided that the headlights no CTB films are, the White Balance always 3200th (Tungsten, Glühbirnchen)
This gives you a nice result.
Antwort von chris67:
do not know how the pros make it but I think a white sheet in front of the camera, so it is in the light and then I leave the camera set and believe that this setting.
Antwort von chris67:
But if the concert as very blue is lit and then a change to green and then red, s.welcher job because I make the white balance, because the lighting conditions are constantly changing but ... Since you use no synonymous white paper.
When the stage show designed with strong color, it is s.der time to adjust with the lighting of the tape and possibly entertain.
If the tape a DVD of their live show would like to have, then the stage lighting for the camera somehow meet. It should be in the interests of the tape, that the show across well on DVD. With the lighting tüftelt you have a lighting concept with a little paler colors and slightly flatter. The audience in the hall is the most wurscht.
Incidentally, it is a good idea, chrome, or highly reflective instruments to avoid, otherwise you have so bright points of light in the Picture. Sometimes okay, but better to deal with economically.
When it comes to the stage deep red and blue there, you have hardly a chance for a good picture on video. With only blue or red you will learn the dark side of the Chroma subsampling know.
Antwort von geid0r:
Therefore, the light man say it is neutral as much light (white light) use.
Antwort von chris67:
In general, one of several presets for white balance permanently stored. For example, one for me and two daylight alone for various hot tungsten. If necessary, then I choose from those in the display picture is somewhat neutral, the rest is done in the NLE
Antwort von Markus:
The white balance to a fixed value for tungsten to make has already been described twice. Which I share, especially in light-colored moods of a small deviation towards red or blue not synonymous next would notice if the default value is not exactly a hundred percent on the existing (white) light should fit.
In no case should the automatic white balance of the leave, which will then always be the current mood lighting to neutralize. At least when cutting a short summary of the changing fall leveling then interfere.
Antwort von robbie:
do not know how the pros make it but I think a white sheet in front of the camera, so it is in the light and then I leave the camera set and believe that this setting. yes, we are making the appropriate synonymous in situations ... although, white sheet of paper, hüstel, soeines has not always synonymous to hand: P. ..
I even recently came out that my camera, even an automatic white balance has mags you do not believe it!
but I do tell me so ... concerts, plays, local ,...: tungsten preset.
neonröhrenlicht or large window: manual white balance ...
in free: manual white balance ...
and oh yes ... correct white balance: are blurred;)
Antwort von Manuell:
Thank you for the many answers that will probably advance as synonymous to the artificial setting back.
